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Autor/inHara, Mariko
TitelMuting the Koto: Exploring Musical Pathways as a DIY Artist in a New Country
QuelleIn: Music Education Research, 20 (2018) 5, S.591-602 (12 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1461-3808
DOI10.1080/14613808.2018.1445209
SchlagwörterMusic Education; Musicians; Immigrants; Case Studies; Informal Education; Entrepreneurship; Career Development; Computer Software; Foreign Countries; Self Concept; Aesthetics; Norway
AbstractThis paper examines informal learning in the context of migrant musicians, through a single case study looking at informal/self-learning and music career development by a DIY electronica artist. Data for the paper comes from an ethnographic study of how migrant musicians in Norway exercise their professional competence and entrepreneurship. Using the concept of the musical pathways I investigate how a migrant musician uses biographical resources to move between different musical fields to sustain a music career. A key aspect was that aesthetics in the music making process were crafted at the same time as identities, partly through re-hearing and re-collecting sounds from the past. The study indicates that there is a potential for DIY music production to develop migrant musicians' music career when they do not have a lot of (initial) economic or social capital or a formal music education and that music making software can be valuable here. (As Provided).
AnmerkungenRoutledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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