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Autor/inn/enBottoms, Stephen; Laffin, Julie
TitelRemote Intimations: Performance Art and Environmental Illness
QuelleIn: Research in Drama Education, 17 (2012) 2, S.229-246 (18 Seiten)Infoseite zur Zeitschrift
PDF als Volltext Verfügbarkeit 
Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1356-9783
SchlagwörterVideo Technology; Creative Activities; Environmental Education; Hazardous Materials; Chronic Illness; Conservation (Environment); Aesthetics; Performance; Artists
AbstractThis article explores and documents the work of leading Midwestern performance artist Julie Laffin, in the years since she developed a serious form of environmental illness (Multiple Chemical Sensitivity). This condition has effectively rendered her housebound and unable to appear in public, so that her previous live performance practice--which typically took place in public, urban spaces--has necessarily been curtailed. In attempting to reinvent her practice by other means (including performances by proxy, video and sound works, etc.), Laffin has gradually moved towards a more activist stance on environmental issues, while attempting to maintain a strongly personal aesthetic. Performance art has often been regarded as a form of intensely individual, even "narcissistic" creative expression, and this article asks what it might mean to consider environmentalism through such a personal creative lens. The discussion takes the form of a dialogue between Laffin and Stephen Bottoms, who has variously been a critic of her work, a collaborator in it, and a friend. (Contains 8 notes.) (As Provided).
AnmerkungenRoutledge. Available from: Taylor & Francis, Ltd. 325 Chestnut Street Suite 800, Philadelphia, PA 19106. Tel: 800-354-1420; Fax: 215-625-2940; Web site: http://www.tandf.co.uk/journals
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2017/4/10
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