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Autor/inBarrett, Margaret
Titel"Creative Collaboration": An "Eminence" Study of Teaching and Learning in Music Composition
QuelleIn: Psychology of Music, 34 (2006) 2, S.195-218 (24 Seiten)
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN0305-7356
DOI10.1177/0305735606061852
SchlagwörterMusic; Musicians; Cooperation; Learning Processes; Teaching Methods; Creativity; Role; Musical Composition; Social Support Groups; Teacher Attitudes; Music Education
AbstractThe image of the composer as a lone seeker of creative inspiration is embedded in popular views of the creative artist. This isolationist view ignores the "thought communities" on which composers draw in their development as musicians, composers and teachers, the relationships that hold between composer-teacher and student-composer, and the role of these relationships in the ongoing development of "all" participants in the teaching and learning process. This article draws on "eminence" studies of creativity to investigate the teaching and learning beliefs, processes and practices, of an eminent composer-teacher when working with a tertiary-level student-composer over the course of one academic semester. The emergent view of the teaching and learning process in music composition is one of a dyad working towards shared goals in a process characterized by collaboration, joint effort, and social support. This suggests that the teaching and learning process in composition may be a form of creative collaboration. (Contains 2 notes.) (As Provided).
AnmerkungenSAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: http://sagepub.com
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2017/4/10
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