Literaturnachweis - Detailanzeige
Autor/in | McStay, Andrew |
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Titel | A Qualitative Approach to Understanding Audience's Perceptions of Creativity in Online Advertising |
Quelle | In: Qualitative Report, 15 (2010) 1, S.37-58 (22 Seiten)Infoseite zur Zeitschrift
PDF als Volltext |
Sprache | englisch |
Dokumenttyp | gedruckt; online; Zeitschriftenaufsatz |
ISSN | 1052-0147 |
Schlagwörter | Creativity; Advertising; Audience Analysis; Classification; Interviews; Diaries; Intervention; Perception; Qualitative Research; Phenomenology; Researchers; Research Methodology; Measurement Techniques; Internet; Questionnaires; Sampling Kreativität; Werbung; Classification system; Klassifikation; Klassifikationssystem; Interviewing; Interviewtechnik; Diary; Tagebuch; Wahrnehmung; Qualitative Forschung; Phenomenological psychology; Phänomenologie; Psychologie; Researcher; Forscher; Research method; Forschungsmethode; Messtechnik; Fragebogen |
Abstract | In this paper I seek to inquire upon audience's perceptions of creativity in online advertising--a heretofore poorly understood area. This paper initially outlines current academic understanding of creativity in online advertising, mainly derived from quantitative assessments. It then advances a qualitative methodology including diary-interviews and ethnographic online interviews across 41 participants. My starting point is a critique of the most comprehensive conceptual intervention in the area of advertising creativity--Smith and Yang's (2004) typology of "relevance" and "divergence". I assess to what extent this typology emerges from my participants' data. Two key features of relevance--contextual relevance and intrusiveness--are explored in depth, producing deeper insights into their nature as perceived by participants. (Contains 2 figures.) (As Provided). |
Anmerkungen | Nova Southeastern University. 3301 College Avenue, Fort Lauderdale, FL 33317. Tel: 954-262-5389; Fax: 954-262-3970; Web site: http://www.nova.edu/ssss/QR |
Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
Update | 2017/4/10 |