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Autor/inGodwin, Louise
TitelThe Sound of My Voice: Self-Revelation through Autoethnography
QuelleIn: Action, Criticism, and Theory for Music Education, 18 (2019) 2, S.57-72 (16 Seiten)
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1545-4517
SchlagwörterMusic; Music Education; Ethnography; Self Disclosure (Individuals); Musicians; Anxiety; Acoustics; Creative Activities; Musical Instruments
AbstractThis essay represents my attempt to develop an expanded voice-as-researcher. My intent is to create a space for an improvisatory and playful process of self-discovery through writing aimed at extracting deeply-held, even concealed, possibilities rarely invoked in my practices as researcher. To facilitate this process of self-discovery, I use a binary-constructed notion of my separate musician and researcher voices to experiment with placing three previously created text-based and musical works in dialogue. Reflecting on my bricoleur researcher tendencies, I tinker with methodology, lightly appropriating a post-representational approach to frame these works as co-researcher-provocateurs in this essay. Punctuating the essay with moments of auto-ethnographic writing, I weave these text-based and musical works together with two gestures--the cartographic system of Fernand Deligny's wander lines and the musical form of Charles Ives's String Quartet No. 2--to explore the challenges of navigating identity, voice, and self-disclosure in scholarship. The essay concludes with a confession of anxiety as an illusionary deceit, and the final self-revelation of my voice. My sound. (As Provided).
AnmerkungenMayDay Group. Brandon University School of Music, 270 18th Street, Brandon, Manitoba R7A 6A9, Canada. Tel: 204-571-8990; Fax: 204-727-7318; Web site: http://act.maydaygroup.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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