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Autor/inCayari, Christopher
TitelMusical Theater as Performative Autoethnography: A Critique of LGBTQIA+ Representation in School Curricula
QuelleIn: International Journal of Education & the Arts, 20 (2019) 10, (23 Seiten)Infoseite zur Zeitschrift
PDF als Volltext kostenfreie Datei Verfügbarkeit 
Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1529-8094
SchlagwörterTheater Arts; Music Activities; Autobiographies; Ethnography; Homosexuality; Performance; Music Education; Educational Research; Research Problems; Research Methodology; Participatory Research; Self Concept; Human Body; LGBTQ People; Sexual Identity; Religion; Transformative Learning
AbstractThe complexity of identity and experiences of the researcher are explored through Spry's (2011) performative autoethnography methodology, challenging the social and political norms that effect sexuality and gender-diverse students and the representation of LGBTQIA+ voices in school curricula. The present study uses musical theater repertoire that depicts characters that are part of the LGBTQIA+ community as a catalyst for reflection upon the researcher's lived experiences. This multimedia performance-based research allows the reader-audience to experience the data as a narrative through a text script, recorded live performance videos, and/or mastered audio that includes prose, verse, lyrics, and monologues. Topics addressed include discovering sexuality, coming out, wrestling with faith, accepting identity, performing LGBTQIA+ musical repertoire, and working with students of diverse sexual orientations and gender identities. The researcher found that performative autoethnography was a transformative and educative experience, and autoethnographic methods can be used to help marginalized people find voice and empowerment. (As Provided).
AnmerkungenInternational Journal of Education & the Arts. 1310 South 6th Street, Champaign, IL 61820. Tel: 402-472-9958; Fax: 402-472-2837; Web site: http://www.ijea.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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