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Autor/inShieh, Eric
TitelAfter Eric Garner: Invoking the Black Radical Tradition in Practice and in Theory #BlackLivesMatter
QuelleIn: Action, Criticism, and Theory for Music Education, 15 (2016) 2, S.126-145 (20 Seiten)
PDF als Volltext Verfügbarkeit 
Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1545-4517
SchlagwörterHigh School Students; Grade 10; African Americans; Activism; Social Justice; Current Events; Music Education; Aesthetic Education; African American History; African American Influences; Civil Rights; Politics; Crime; Death; Race; Music Appreciation; African American Culture; Teaching Methods; Intermode Differences; Musicians; New York
AbstractIn this article, I document a series of pedagogical responses in my high school instrumental music classroom following the events of Eric Garner's murder in New York City. Foregrounding traditions of black radical politics and aesthetics originating with the Black Power Movement in the 1960s, I explore their implications for classroom practice in a larger movement against the systemic killings of Black Americans in the United States. In this work, ideas of politicized listening, multimodality, response, and collectivity emerge, alongside a process of "fumbling" through issues of essentialism and authority, race and aesthetics. (As Provided).
AnmerkungenMayDay Group. Brandon University School of Music, 270 18th Street, Brandon, Manitoba R7A 6A9, Canada. Tel: 204-571-8990; Fax: 204-727-7318; Web site: http://act.maydaygroup.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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