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Autor/inBull, Anna
TitelEl Sistema as a Bourgeois Social Project: Class, Gender, and Victorian Values
QuelleIn: Action, Criticism, and Theory for Music Education, 15 (2016) 1, S.120-153 (34 Seiten)
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1545-4517
SchlagwörterSocial Class; Gender Differences; Sexual Identity; Music Education; Foreign Countries; Classical Music; Moral Values; Females; Educational History; Social Status; Futures (of Society); Working Class; Social Action; Program Descriptions; Teaching Methods; Human Body; United Kingdom
AbstractThis article asks why classical music in the UK, which is consumed and practiced by the middle and upper classes, is being used as a social action program for working-class children in British music education schemes inspired by El Sistema. Through exploring the discourse of the social benefits of classical music in the late nineteenth century, a particular classed and gendered morality in relation to music can be traced that has parallels today. This paper argues, first, that classical music education fits with a middle-class disposition by rewarding investment in a future self; second, that it cultivates an ideal of hard work as a moral project; and third, that classical music allows young women to perform a "respectable" female identity. UK Sistema-inspired programs, in drawing on Victorian ideas of the "civilising influence" of culture, symbolise hope for the continuation of the bourgeois social project into the future. (As Provided).
AnmerkungenMayDay Group. Brandon University School of Music, 270 18th Street, Brandon, Manitoba R7A 6A9, Canada. Tel: 204-571-8990; Fax: 204-727-7318; Web site: http://act.maydaygroup.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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