Literaturnachweis - Detailanzeige
Autor/in | Lalu, Premesh |
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Titel | Between History and Apocalypse: Stumbling |
Quelle | In: Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 15 (2016) 1, S.46-66 (21 Seiten)Infoseite zur Zeitschrift
PDF als Volltext |
Sprache | englisch |
Dokumenttyp | gedruckt; online; Zeitschriftenaufsatz |
ISSN | 1474-0222 |
DOI | 10.1177/1474022215613607 |
Schlagwörter | Racial Segregation; Philosophy; Foreign Countries; Technology; Films; Memory; History; African Culture; Discourse Analysis; Drama; South Africa |
Abstract | Apartheid rested on a division of the senses as much as it did on a reductive politics of racial subjection and its accompanying violence. As an instance of the division of the senses, it produced a condition of stasis in which history and a post-apartheid future were increasingly marked by a politico-religious discourse of apocalypse, and a moral claim formed around family melodrama. In seeking to escape this nightmare, I ask whether we may discover in the dream of the post-apartheid a concept of stasis that does not amount to a dead end. Instead, we might return to a formulation of stasis that for the ancient Greeks approximates something akin to movement at rest. Drawing on the resources of cinema, jazz, soundtrack and memory, I argue that apartheid's exteriorization of technology proved disastrous both for the critique of apartheid and for elaborating a concept of the post-apartheid. "Philosophy does not serve the State or the Church, who have other concerns. It serves no established power. The use of philosophy is to sadden. A philosophy that saddens no one, that annoys no one, is not a philosophy. It is not useful for harming stupidity, for turning stupidity into something shameful. Its only use is the exposure of all forms of baseness of thought." (Deleuze, 1983: 106). (As Provided). |
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Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
Update | 2020/1/01 |