Literaturnachweis - Detailanzeige
Autor/in | Sipley, Kenneth L. |
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Titel | Listening and Viewing: Models for Interacting with Music and the Visual Arts. |
Quelle | (1995), (22 Seiten)
PDF als Volltext |
Sprache | englisch |
Dokumenttyp | gedruckt; online; Monographie |
Schlagwörter | Aesthetics; Art Appreciation; Art Education; Curriculum Guides; Dance Education; High Schools; Interdisciplinary Approach; Junior High Schools; Middle Schools; Music Appreciation; Music Education; Theater Arts; Visual Arts Ästhetik; Kunstverständnis; Arts; Education; Art in Education; Kunst; Bildung; Erziehung; Curriculare Materialien; Dance; Tanzerziehung; High school; Oberschule; Fächerübergreifender Unterricht; Fächerverbindender Unterricht; Interdisziplinarität; Sekundarstufe I; Middle school; Mittelschule; Mittelstufenschule; Musikbeurteilung; Musikerziehung; Theaterwissenschaft; Optische Gestaltung |
Abstract | This paper presents ways art educators can participate in a more holistic approach to education. The document outlines the following premises: (1) students will be consumers of art and determine what art they choose to consume, which requires a systematic and thorough grounding in critical evaluation if they are to make good decisions; (2) students will learn to respect and value the arts as they become adept at making sophisticated aesthetic judgments and learn an arts vocabulary; (3) typical music and arts appreciation programs are taught from the historical perspective, which may add to the students' general knowledge of history but may not allow them to confront a work of art and decide whether it is meaningful to them; and (4) students need methods of evaluating works of art and music. Two evaluation models are given; a listening model for music criticism and a viewing model for art criticism. The paper examines similarities and differences between the two models and discusses ways of including them in appreciation classes. (DQE) |
Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
Update | 2004/1/01 |