Handbook of the economics of art and culture, vol. 1. Repr.

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Sonst. Personen	Ginsburgh, Victor A. (Hrsg.); Throsby, David (Hrsg.)
Titel	Handbook of the economics of art and culture, vol. 1. Repr. Gefälligkeitsübersetzung: Das Handbuch der Ökonomie von Kunst und Kultur.
Quelle	Amsterdam u.a.: North-Holland (2008), 1400 S.Verfügbarkeit
Reihe	Handbooks in Economics. 25
Sprache	englisch
Dokumenttyp	gedruckt; Monographie
ISBN	978-0-444-50870-6
Schlagwörter	Kultur; Kreativität; Massenmedien; Rundfunk; Kulturpolitik; Recht; Urheberrecht; Region; Regionalentwicklung; Stadtentwicklung; Kulturgeschichte; Kunst; Angebot; Außenhandel; Handelspolitik; Konsum; Markt; Nachfrage; Preisgestaltung; Steuerpolitik; Unterhaltungsindustrie; Unternehmen; Wirtschaftsentwicklung; Ökonomische Determinanten; Arbeitsmarkt; Beschäftigung; Kulturberuf; Künstlerischer Beruf; Ökonomie; Handbuch; Tradition; Museum; Non-Profit-Organisation; Verlag; Künstler
Abstract	"Over the last 30 or 40 years a substantial literature has grown up in which the tools of economic theory and analysis have been applied to problems in the arts and culture. Economists who have surveyed the field generally locate the origins of contemporary cultural economics as being in 1966, the year of publication of the first major work in modern times dedicated specifically to the economics of the arts. It was a book by Baumol and Bowen which showed that economic analysis could illuminate the supply of and demand for artistic services, the contribution of the arts sector to the economy, and the role of public policy. Following the appearance of the Baumol and Bowen work, interest in the economics of the arts grew steadily, embracing areas such as demand for the arts, the economic functions of artists, the role of the nonprofit sector, and other areas. Cultural economics also expanded to include the cultural or entertainment industries (the media, movies, the publishing industry, popular music), as well as heritage and museum management, property right questions (in particular copyright) and the role of new communication technologies such as the internet. The field is therefore located at the crossroads of several disciplines: economics and management, but also art history, art philosophy, sociology and law. The Handbook is placed firmly in economics, but it also builds bridges across these various disciplines and will thus be of interest to researchers in all these different fields, as well as to those who are engaged in cultural policy issues and the role of culture in the development of our societies." (author's abstract, IAB-Doku) ((en)) Content: Part 1: Introduction David Throsby: Introduction and Overview (4-22); Part 2: History Craufurd Goodwin: Art and culture in the history of economic thought (26-68); Neil de Marchi, Hans J. van Miegroet: The history of art markets (69-122); F. M. Schnerer: The evolution of music markets (124-143); PART 3: Value Roger Mccain: Defining cultural and artistic goods (148-167); Michael Hutter, Richard Shusterman: Value and the valuation of art in economic and aesthetic theory (170-208); Part 4: Legal issues William M. Landes, Daniel B. Levine: The economic analysis of art law (212-251); Francoise Benhamou, Victor Ginsburgh: Copies of artworks - the case of paintings and prints (254-283); Patrick Legros: Copyright, art and internet - blessing the curse? (286-308); Tun-Jen Chiang, Richard A. Posner: Censorship versus freedom of expression in the Arts (310-335); Part 5: Culture and the economy William J. Baumol: The art in the "new economy" (340-358); Mark Casson: Culture and economic performance (360-397); Paul Streeten: Culture and economic development (400-412); Part 6: Consumption and production Bruce A. Seaman: Empirical studies of demand for the performing arts (416-472); Arthur C. Brooks: Nonprofit firms int the performing arts (474-506); William D. A. Bryant, David Throsby: Creativity and the behavior of artists (508-529); Part7: Cultural industries Richard E. Caves: Organization of arts and entertainment industries (534-566); Simon P. Anderson, Jean J. Gabszewicz: The Media and advertising - a tale of two-sided markets (568-614); Arthur de Vany: The movies (617-665); Marie Connolly, Alan B. Krueger: Rockonomics - the economics of popoluar music (668-719); Marcel Canoy, Jan C. van Ours, Frederick van der Ploeg: The economics of books (722-761); Part 8: Labor markets Pierre-Michel Menger: Artistic labor markets - contigent work, excess supply and occupational risk management (766-811); Neil O. Alper, Gregory H. Wassall: Artists' careers and their labor markets (814-864); Ruth Towse: Human capital and Artists' labour markets (866-894); Moshe Adler: Stardom and talent (896-906); Part 9: Auctions and prices Orley Ashenfelter, Kathryn Graddy: Art auctions (910-945); Victor Ginsburgh, Jianping Mei, Michael Moses: The computation of prices indices (948-979); Part 10: Heritage Ilde Rizzo, David Throsby: Cultural Heritage - economic analysis and public policy (984-1016); Bruno S. Frey, Stephan Meier: The economics of museums (1018-1047); Part 11: Location Trine Bille, Günther G. Schulze: Culture in urban and regional development (1052-1099); Walter Santagata: Cultural districts and their role in developed and developing countries (1102-1119); Part 12: Policy Alan Peacock: The arts and economic policy (1124-1140); Keith Acheson, Christopher Maule: Culture in international trade (1142-1182); Frederick van der Ploeg: The making of cultural policy - a European perspective (1184-1221); Dick Netzer: Cultural policy - an American view (1224-1251); J. Mark Schuster: Tax incentives in cultural policy (1254-1298); Stanley N. Katz: Philahntrophy Forschungsmethode: deskriptive Studie; Dokumentation. (130-1321).
Erfasst von	Institut für Arbeitsmarkt- und Berufsforschung, Nürnberg
Update	2008/3