Literaturnachweis - Detailanzeige
Sonst. Personen | Conor, Bridget (Hrsg.); Gill, Rosalind (Hrsg.); Taylor, Stephanie (Hrsg.) |
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Titel | Gender and creative labour. Gefälligkeitsübersetzung: Geschlecht und Kreativarbeit. |
Quelle | Chichester: Wiley Blackwell (2015), 216 S. |
Reihe | The Sociological review monographs |
Zusatzinformation | Inhaltsverzeichnis |
Sprache | englisch |
Dokumenttyp | gedruckt; Monographie |
ISBN | 978-1-119-06239-4 |
Schlagwörter | Kultur; Chancengleichheit; Familie; Frau; Geschlechterrolle; Fernsehen; Film; Informelle Kommunikation; Diskriminierung; Neoliberalismus; Segregation; Arbeitsteilung; Marketing; Personalauswahl; Personalbeschaffung; Wirtschaftssektor; Beruf; Berufliche Identität; Geringfügige Beschäftigung; Informeller Sektor; Praktikum; Freie Berufe; Kulturberuf; Musiker; Benachteiligung; Geschlechtsspezifik; Autor; Künstler; Schauspieler; Deutschland; Großbritannien; Kanada; Neuseeland; USA |
Abstract | Gender and Creative Labour presents a collection of readings that reflect the latest research related to employment positions in a range of creative industries to show the gender implications of creative labour under contemporary neoliberal economic policies. (Textauszug); Table of Contents: Part 1: Introduction; Bridget Conor, Rosalind Gill and Stephanie Taylor: Gender and creative labour; Part 2: Sexism, segregation and gender roles; David Hesmondhalgh and Sarah Baker: Sex, gender and work segregation in the cultural industries; Deborah Jones and Judith K. Pringle: Unmanageable inequalities: sexism in the film industry; Part 3: Flexibility and informality; Leung Wing-Fai, Rosalind Gill and Keith Randle: Getting in, getting on, getting out? Women as career scramblers in the UK film and television industries; George Morgan and Pariece Nelligan: Labile labour - gender, flexibility and creative work; Natalie Wreyford: Birds of a feather: informal recruitment practices and gendered outcomes for screenwriting work in the UK film industry; Part 4: Image-making and representation; Christina Scharff: Blowing your own trumpet: exploring the gendered dynamics of self-promotion in the classical music profession; Bridget Conor: 'Egotist', 'masochist', 'supplicant': Charlie and Donald Kaufman and the gendered screenwriter as creative worker; Ana Alacovska: Genre anxiety: women travel writers' experience of work; Miranda J. Banks and Lauren Steimer: The heroic body: toughness, femininity and the stunt double; Part 5: Boundary-crossing; Ursula Huws: When Adam blogs: cultural work and the gender division of labour in Utopia; Stephanie Taylor: A new mystique? Working for yourself in the neoliberal economy; Leslie Regan Shade and Jenna Jacobson: Hungry for the job: gender, unpaid internships, and the creative industries. Forschungsmethode: empirisch-qualitativ; empirisch; Befragung; Fallstudie; Exploration. |
Erfasst von | Institut für Arbeitsmarkt- und Berufsforschung, Nürnberg |
Update | 2015/4 |