Literaturnachweis - Detailanzeige
Autor/inn/en | Pennington, Casey; Wohlwend, Karen; Davis, Summer J.; Scott, Jill Allison |
---|---|
Titel | Performance, Pottery and Pliers: Rupturing Play with Bodies and Things |
Quelle | In: English Teaching: Practice and Critique, 19 (2020) 4, S.433-445 (13 Seiten)
PDF als Volltext |
Sprache | englisch |
Dokumenttyp | gedruckt; online; Zeitschriftenaufsatz |
ISSN | 1175-8708 |
DOI | 10.1108/ETPC-11-2019-0142 |
Schlagwörter | Play; Art Activities; Performance; After School Programs; Adolescents; Females; Compliance (Psychology); Ceramics; Literacy Spiel; Künstlerische Tätigkeit; Achievement; Leistung; After school education; After-school programs; Program; Programs; Programme; Außerschulische Jugendbildung; Programm; Adolescent; Adolescence; Adoleszenz; Jugend; Jugendalter; Jugendlicher; Weibliches Geschlecht; Keramik; Alphabetisierung; Schreib- und Lesefähigkeit |
Abstract | Purpose: This paper aims to examine tensions around play, performance and artmaking as becoming in the mix of expected and taken-for-granted discourses implicit in an after-school ceramics makerspace (Perry and Medina, 2011). The authors look closely at one adolescent girl's embodied performance to see how it ruptures the scripts for compliant bodies in the after-school program. While these performances take place out-of-school and in an arts studio, the tensions and explorations also resonate with broader issues around student embodied, performative and becomings that run counter to normalized school expectations. Design/methodology/approach: A contemporary approach to nexus analysis (Medina and Wohlwend, 2014; Wohlwend, 2021) unpacked two critical performative encounters (Medina and Perry, 2011) using concepts of historical bodies (Scollon and Scollon, 2004) informed by sociomaterial thing-power (Bennett, 2010). Findings: Playing while painting pottery collides and converges with the tacitly desired and expected ways of embodying student in this after-school artspace. Emily's outer-space alien persona ruptured expected discourses when her historical body and embodied performances threatened other children. While her embodied performances facilitated her becoming a fully present participant in the studio, she fractured the line between play and reality in violent ways. Originality/value: As literacy researchers, the authors are in a moment of reckoning where student embodied performances and historical bodies can collide with all-too-real violent threats in daily lives and community locations. Situating these performances in the nexus of embodied literacies, unsanctioned play and thing-power can help educators respond to these moments as ruptures of tacit expectations for girlhoods in school-like spaces. (As Provided). |
Anmerkungen | Emerald Publishing Limited. Howard House, Wagon Lane, Bingley, West Yorkshire, BD16 1WA, UK. Tel: +44-1274-777700; Fax: +44-1274-785201; e-mail: emerald@emeraldinsight.com; Web site: http://www.emerald.com/insight |
Erfasst von | ERIC (Education Resources Information Center), Washington, DC |
Update | 2024/1/01 |