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Autor/inRiley, Howard
TitelChannels of Vision and the Poetics of Drawing: Strategies for Teaching
QuelleIn: Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 13 (2014) 3, S.201-216 (16 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1474-0222
DOI10.1177/1474022213492442
SchlagwörterForeign Countries; Studio Art; Higher Education; College Instruction; Freehand Drawing; Communication (Thought Transfer); Holistic Approach; Visual Perception; Semiotics; Student Empowerment; College Students; United Kingdom
AbstractThis article introduces a novel approach to pedagogy within an art school in the UK HE sector, based upon a synthesis of perception theory and communication theory. It is argued that art students' drawing is empowered by strategies of teaching informed by aspects of James J. Gibson's ecological approach to visual perception relevant to an understanding of the variety of information contained in the structure of light. Three types of perceivable information are identified: the distal, the haptic, and the proximal, described as "channels of vision", and illustrated with examples of the author's drawings. Aspects of Roman Jakobson's communication theory are introduced, and both theorists' insights are amalgamated in a systemic-functional semiotic matrix describing the domain of drawing derived from Michael Halliday's systemic-functional semiotic model for language. The matrix has informed the design of a curriculum for drawing, and a project from this curriculum is presented and illustrated with students' drawings. (As Provided).
AnmerkungenSAGE Publications. 2455 Teller Road, Thousand Oaks, CA 91320. Tel: 800-818-7243; Tel: 805-499-9774; Fax: 800-583-2665; e-mail: journals@sagepub.com; Web site: http://sagepub.com
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2017/4/10
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