Neuroscience Meets Music Education: Exploring the Implications of Neural Processing Models on Music Education Practice

Autor/in	Collins, Anita
Titel	Neuroscience Meets Music Education: Exploring the Implications of Neural Processing Models on Music Education Practice
Quelle	In: International Journal of Music Education, 31 (2013) 2, S.217-231 (15 Seiten)Infoseite zur Zeitschrift PDF als Volltext Verfügbarkeit
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	0255-7614
DOI	10.1177/0255761413483081
Schlagwörter	Neurosciences; Cognitive Processes; Models; Music Education; Brain Hemisphere Functions; Learning Processes; Curriculum Design; Teaching Methods; Auditory Perception; Teacher Student Relationship; Memory; Music Teachers + Suchen Sie Ihr Suchwort? Neuroscience; Neurowissenschaften; Neurowissenschaft; Cognitive process; Kognitiver Prozess; Analogiemodell; Musikerziehung; Learning process; Lernprozess; Lehrplangestaltung; Teaching method; Lehrmethode; Unterrichtsmethode; Auditive Wahrnehmung; Akustische Wahrnehmung; Akustik; Teacher student relationships; Lehrer-Schüler-Beziehung; Gedächtnis; Music; Teacher; Teachers; Musiklehrer
Abstract	Over the past two decades, neuroscientists have been fascinated by the way the brain processes music. Using new technologies, neuroscientists offer us a better understanding of the human brain's structures and functions. They have further proposed explanatory models for how the brain processes music. While these models shed light on how the brain functions, they have yet to make an impact on the field of music education where skills in music processing are a central concern. This article examines the implication of one music-processing model on music education practice. This conceptual study consisted of: (1) transforming the model to make it accessible to music educators, and (2) comparing the model with the experience of learning and teaching music. The study found that there were identifiable connections between Koelsch's model of music processing and the lived experience of music learning. These connections could inform future curriculum design and practice in music education. (Contains 5 figures and 1 table.) (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2017/4/10