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Autor/inWilliams, Hakim M. A.
TitelFighting a Resurgent Hyper-Positivism in Education Is Music to My Ears
QuelleIn: Action, Criticism, and Theory for Music Education, 14 (2015) 1, S.19-43 (25 Seiten)
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1545-4517
SchlagwörterStellungnahme; Music Education; Neoliberalism; Critical Thinking; Critical Theory; Student Diversity; Philosophy; Social Justice; Foreign Countries; Social History; Brazil; Trinidad and Tobago
AbstractIn this article, I argue that one of the gifts of the Age of Enlightenment, the ability to measure, to experiment, to predict--turned rancid by hyper-positivism--is reasserting itself globally in the field of education (including music education). I see a neoliberal, neocolonial connection--in terms of the ideologies that fuel them--between some of the homogenizing, epistemologically/culturally imperialist aspects of globalization and this resurgent hyper-positivism that has been accompanied by a corporatization of education. I posit that critical education, including critical music education, is an essential component of a necessary--if rancorous--dialogue in maintaining a definition of education that is as varied and diverse as those students we wish to educate. In essence, I argue that critical education is one of many tools to help us fight a "re-colonization" by this resurgent hyper-positivism in education. (As Provided).
AnmerkungenMayDay Group. Brandon University School of Music, 270 18th Street, Brandon, Manitoba R7A 6A9, Canada. Tel: 204-571-8990; Fax: 204-727-7318; Web site: http://act.maydaygroup.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2020/1/01
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