Pastiche in Paul Auster's "The New York Trilogy"

Autor/inn/en	Zare'e, Maedeh; Eslamieh, Razieh
Titel	Pastiche in Paul Auster's "The New York Trilogy"
Quelle	In: Advances in Language and Literary Studies, 7 (2016) 5, S.197-207 (11 Seiten) PDF als Volltext kostenfreie Datei Verfügbarkeit
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	2203-4714
Schlagwörter	Postmodernism; Novels; Authors; Educational Theories; Literary Styles; Literature Appreciation; Literary Criticism; Didacticism + Suchen Sie Ihr Suchwort? Postmoderne; Novel; Roman; Author; Autor; Autorin; Educational theory; Theory of education; Bildungstheorie; Literarischer Stil; Literarische Wertung; Literaturkritik; Didaktisierung
Abstract	This article is a Jamesonian study of Auster's "The New York Trilogy" in which one of Fredric Jameson's notions of postmodernism, pastiche, has been applied on three stories of the novel. This novel is one of Auster's outstanding postmodern works to which Jameson's theories of postmodernism, in particular, pastiche can be applicable. Pastiche has been defined by Fredric Jameson as an imitation of a strange style and contrasted to the concept of postmodern parody. This article indicates that theory of pastiche can be applied on both the form and content of three stories of the above mentioned novel. (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2020/1/01