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Autor/inGardner, Roberta Price
TitelThe Present Past: Black Authors and the Anti-Black Selective Tradition in Children's Literature
QuelleIn: Journal of Children's Literature, 46 (2020) 2, S.8-18 (11 Seiten)
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN1521-7779
SchlagwörterChildrens Literature; Authors; African Americans; African American Literature; Racial Discrimination; Critical Theory; Critical Literacy; Race; Disproportionate Representation
AbstractAfrican American children's literature is a subcategory of diverse books that has benefited from critical theoretical research as well as historical and contemporary social movements. More recently, activist bloggers and online movements have extended the work of activist librarians and critically conscious educators and parents. These individual and collective efforts have helped to bridge public scholarship and academic research, generating a new wave of "Brown Gold," or what Martin (2004) described as the "Golden Age of African American children's picture books" (p. xii). The present evolution of African American youth literature expands the range of opportunities for all readers, particularly Black children and Black people, to "see themselves" within the pages of a book. However, despite the upward trend in the quantity of representations available (Cooperative Children's Book Center, 2018), the number of children's books both by and about Black people remains inadequate. According to the Cooperative Children's Book Center (CCBC), for example, there were 340 books featuring Black characters in 2018, and only 100 of these were by Black authors and/or illustrators (i.e., 29.41% #OwnVoices). While acknowledging previous and ongoing debates that contest inaccurate, demeaning, or stereotypical representations of Black people, in this article, the author places a particular emphasis on disrupting the colonist logic, utility, and objectification that are associated with representing Blackness and the Black experience without necessarily including Black people. She uses fundamental aspects of Black Critical Theory (BlackCrit; Dumas & Ross, 2016) and Afro-pessimism (Patterson, 1982) to define and describe an anti-Black selective tradition, the historical and continued practice of omitting, limiting, tokenizing, and disregarding Blackness, including Black voices, visualities, subjectivities, and, by extension, Black people's ways of knowing, being in, and narrating the world. She argues that progressing toward "where we ought to be" means making this anti-Black selective tradition in children's literature and the fungible nature of Blackness and Black authors less inconspicuous. Retrospective and contemporary examples of children's literature are included throughout this article to demonstrate that not just any Black book will do. (ERIC).
AnmerkungenChildren's Literature Assembly. e-mail: info@childrensliteratureassembly.org; Web site: https://www.childrensliteratureassembly.org/journal.html
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2024/1/01
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