Between Tokyo and Frankfurt: Akira Takayama's 'Theatre 2.0', Migratory Encounters and Urban Solidarity in the Contemporary City

Autor/in	Marschall, Anika
Titel	Between Tokyo and Frankfurt: Akira Takayama's 'Theatre 2.0', Migratory Encounters and Urban Solidarity in the Contemporary City
Quelle	In: Research in Drama Education, 26 (2021) 2, S.205-223 (19 Seiten)Infoseite zur Zeitschrift PDF als Volltext Verfügbarkeit
Zusatzinformation	ORCID (Marschall, Anika)
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	1356-9783
DOI	10.1080/13569783.2020.1838892
Schlagwörter	Theater Arts; Urban Areas; Political Attitudes; Refugees; Migration; Performance; Drama; Architecture; Foreign Countries; Japan; Germany + Suchen Sie Ihr Suchwort? Theaterwissenschaft; Urban area; Stadtregion; Political attitude; Politische Einstellung; Flüchtling; Achievement; Leistung; Schauspiel; Architektur; Ausland; Deutschland
Abstract	This article theorises how Akira Takayama with his theatre company Port B facilitates large-scale multi-sited performance works in cities across the globe, which expand the physical architecture of the theatre and utilise digital communications technology. To probe the relation between theatre and the contemporary city, the article interrogates what Takayama calls 'theatre 2.0'. Drawing on interpersonal exchange with the artist and the notion of 'quiet politics' (Askin 2015), the article argues that Takayama's theatre 2.0 forges urban interstices for quiet and tender migratory encounters within an otherwise violent geopolitical sphere of asylum, forced displacement and oppressive border regimes. (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2024/1/01