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Autor/inStabler, Albert
TitelA Sentimental Art Education
QuelleIn: Studies in Art Education: A Journal of Issues and Research in Art Education, 62 (2021) 1, S.63-81 (19 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN0039-3541
DOI10.1080/00393541.2020.1859273
SchlagwörterArt Education; Elementary Secondary Education; Photography; Visual Aids; Conflict; Power Structure; Teaching Methods; Aesthetics; Educational Philosophy; Educational History; African American Education; American Indian Education; Virginia
AbstractSentimentalism as a genre is known for its association with melodramatic 19th-century novels, such as Stowe's "Uncle Tom's Cabin" or Alcott's "Little Women." But, as a cultural tendency, sentimentalism can be found in a range of 19th- and 20th-century cultural, social, and political phenomena, with philanthropic and educational projects chief among them. The legacy of sentimentalism in art education needs to be recalled when attempts are made to consider race in relation to K-12 art classrooms, as well as with class, disability, and gender dynamics. In this article, I make reference to the "Hampton Album," a series of photographs taken in 1900 by Frances Benjamin Johnston, and I focus on three major thinkers to begin assessing the sentimental influence in art education, and gesturing at a pedagogical approach that more thoroughly integrates the role of ongoing conflicts and the intransigence of imbalances in power. (As Provided).
AnmerkungenRoutledge. Available from: Taylor & Francis, Ltd. 530 Walnut Street Suite 850, Philadelphia, PA 19106. Tel: 800-354-1420; Tel: 215-625-8900; Fax: 215-207-0050; Web site: http://www.tandf.co.uk/journals
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2022/1/01
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