'The Waves Carve Their Own Desires': The Affects and Agencies of Intramedial Performance

Autor/in	Myers, Misha
Titel	'The Waves Carve Their Own Desires': The Affects and Agencies of Intramedial Performance
Quelle	In: Research in Drama Education, 25 (2020) 3, S.364-377 (14 Seiten)Infoseite zur Zeitschrift PDF als Volltext Verfügbarkeit
Zusatzinformation	ORCID (Myers, Misha)
Sprache	englisch
Dokumenttyp	gedruckt; online; Zeitschriftenaufsatz
ISSN	1356-9783
DOI	10.1080/13569783.2020.1766952
Schlagwörter	Foreign Countries; Drama; Theater Arts; Multimedia Materials; Handheld Devices; Performance; Humanism; Games; Australia + Suchen Sie Ihr Suchwort? Ausland; Schauspiel; Theaterwissenschaft; Achievement; Leistung; Humanismus; Game; Spiel; Spiele; Australien
Abstract	How do the affective attributes that are specific to intermedial, interactive and located mediums of digitally-enabled performance materialise embodied, sensual and emotional involvements and reconfigure reality through new forms of intimacy, empathy and immediacy? This question is considered through a posthumanist account of performativity to consider alternative ways of conceiving of reality, 'humanness' and how space and time of performance are constituted, particularly through the bodily productions of and relationships between performer, audience, environment and technology in the transmedia performance for smartphone "Nobody's Ocean" (2016). (As Provided).
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Erfasst von	ERIC (Education Resources Information Center), Washington, DC
Update	2024/1/01