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Autor/inn/enFord, Jessica L.; Vosloo, Justine; Arvinen-Barrow, Monna
Titel'Pouring Everything That You Are': Musicians' Experiences of Optimal Performances
QuelleIn: British Journal of Music Education, 37 (2020) 2, S.141-153 (13 Seiten)Infoseite zur Zeitschrift
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Spracheenglisch
Dokumenttypgedruckt; online; Zeitschriftenaufsatz
ISSN0265-0517
DOI10.1017/S0265051720000078
SchlagwörterMusic; Performance; Undergraduate Students; Musicians; Student Attitudes; Interpersonal Relationship; Emotional Experience; Music Education; Sociocultural Patterns; Team Sports; Music Teachers; Music Activities
AbstractThe purpose of this study was to document the lived experiences of flow during an optimal music performance. Fifteen undergraduate musicians (M[subscript age] = 19, 53% male) participated in in-depth, semi-structured interviews, where they were asked to describe an optimal performance experience. Results from an inductive qualitative analysis revealed three main themes: environmental context, emotional connectedness and interpersonal relationships, which synthesised the optimal performance experience. The results also suggest that flow among musicians appears to be a common emotional state and similar to that conceptualised in sport. The ways a musician experiences flow are important, as these can help music educators gain a better understanding of the conceptualisation of flow within music performance. However, given the nuanced differences in the sociocultural environment of a flow experience typical in a sport or music performance, additional research into the divergences of domains may be warranted. (As Provided).
AnmerkungenCambridge University Press. 100 Brook Hill Drive, West Nyack, NY 10994. Tel: 800-872-7423; Tel: 845-353-7500; Fax: 845-353-4141; e-mail: subscriptions_newyork@cambridge.org; Web site: https://journals.cambridge.org
Erfasst vonERIC (Education Resources Information Center), Washington, DC
Update2022/1/01
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