Literaturnachweis - Detailanzeige
Sonst. Personen | Drechsel, Benjamin (Hrsg.); Leggewie, Claus (Hrsg.) |
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Titel | United in visual diversity. Images and counter-images of Europe. Gefälligkeitsübersetzung: Vereint in visueller Vielfalt. Images und Gegen-Images von Europa. |
Quelle | Innsbruck: Studien-Verl. (2010), 253 S. |
Reihe | European History and Public Spheres. 4 |
Zusatzinformation | Inhaltsverzeichnis |
Sprache | englisch |
Dokumenttyp | gedruckt; Monographie |
ISBN | 978-3-7065-4860-1 |
Schlagwörter | Erinnerung; Image; Fotografie; Bild; Karikatur; Visualisieren; Europäische Integration; Politische Bildung; Protestbewegung; Universalismus; Europäische Union; Europa |
Abstract | "Even if there is no outstanding political icon of Europe, a variety of motifs and iconographies give Europe a face. The motto of the European Union -'united in diversity'- fits when it comes to images and counter-images of Europe. This multi-disciplinary volume enriches our knowledge of various visual constructions of Europe: the authors, experts in the fields of visual and political communication, deal with central, peripheral and external iconographies." (publisher's description). Contents: Benjamin Drechsel und Claus Leggewie: Visual Battlefield Europe? Some Preliminary Observations (7-14); Fundamentals: Matthias Bruhn: The Iconology of Power. A European Perspective an Political Imagery (17-33); Gerhard Paul: Images of Europe in the 20th Century. Pictorial Discourses - Canon of Images - Visual Sites of Memory (34-56); Central Pictorial Strategies and Motifs: Lena Voigt: Beyond the Nation States? Caricatures of Europe in the Satirical Press in 1848/49 (59-70); Wolfgang Schmale: "Europa in Forma Virginis" - A 16'-Century Woodcut and How It Became a European Lieu de Ilümoire in the 20th Century (71-81); Daniela Kneissl: Between Universalism and Limitation: Visual Constructs of Europe in the 1950s (82-91); Matthias Belafi: The European Union as a Family? The Family Photos of the European Council as a Representation of the European Union (92-105); Petra Bernhardt und Andreas Pribersky: Designing a EUropean Renaissance? The Rem Koolhaas Projects Addressing the Question of the Public Visibility of the EU (106-114); Anja Besand: Crooked Cucumbers, Milk Cows and Mysterious Bulls. Pictures of Europe in German Textbooks for Civic/Political Education (115-130); Peripheral Perspectives: Anamaria Dutceac Segesten: Europe at the Margins: How Europe Appears in History Textbooks from Serbia and Romania (131-142); Silvia Nadjivan: A View from the "Outside:" Corax's Cartoons on the EU Integration Process in Serbia (143-156); Elisabeth Röhrlich: Europe as Contrasting Image: Constructing the European "Seif" Out of Images of the Turkish "Other" (157-167); Petra Mayrhofer: "Fortress Europe?" Iconographical Aspects of European Borders (168-179); Francesca Falk: Europe - a View from the Margins. Boat People and the Memory of Images (180-185); Nicole Doerr: Imagining A Critical European Visual Citizenship: The EuroMayday Protests Against Precarity (186-196); Foreign Perspectives and Imported Images: Michael Wintle: Seeing Europe From Elsewhere: A Continent in Words and Pictures (199-213); Michael Saffle: Emerging Images of Europe in American Entertainment (214-224); Philipp Gassert: The "Golden Arches:" Image or Counter-Image of Europe? (225-237); Neta B. Bodner: Transcending Geography: The Transportation of Sanctity from the Holy Land to the Homeland (238-249). |
Erfasst von | GESIS - Leibniz-Institut für Sozialwissenschaften, Mannheim |
Update | 2011/1 |